EDWARD HOPPER Evening Wind. Etching, 1921. 180x212 mm; 7x8 1/4 inches, full...

edward hopper produced 1915 career began printmaking complete studied evening traveled prints lewis york regarding came contemporaries 1882-1967 cubism paid chose effects simpler quickly compositions imbued etching account years paper black working italian important work drypoint focused printing paris strong time hopper's foray relatively contrast illustrator printmaker artistic painting returned altogether martin employed approximately white created pencil falls june called whitest nyack just north greatly gallery artist best intense ledger 1979 company instruction short final drypoints abandoning masterful lower tried city 1924 etcher mastered plates symbols wind beauty place american visited styles different 1921 contrasts levin artists illustration exhibition rehn period inky characterized school stayed portrayed works degas characterize early encouragement then-fellow focus preference impressions stillness frequently moments figures rapidly-gained earn brilliant shadows sent life ceased struck monotypes step graphic 20th right priced umbria richly-inked impression scarce methods century brilliance wished correspondence illustrating attended year europe development ideal instead preferring 1905 paintings following lots medium variety approach particularly sense isolation chiaroscuro dark hatching arrangement greatly-admired quiet interior busy psychologically caught contemplation boredom--scenes indicative proficiency unique extremely details exhibited london 18th 1900 imagery manet aspects viewed simple influences signed titled left partial watermark distinct emerging hyde collection glens kimber born 1899-1900 drawing kenneth hayes miller robert henri william merritt chase alongside classmates george bellows pène bois crucial romanticized using overt french avant-garde movements fauvism little attention known painter ironically commercial success livelihood supplemented income footing sales sold 354-358 instructed technical initial markedly complicated techniques obtain desired tonal intermediary short-lived essentially ended 1923 1928 steadfast deeply bitten clean-wiped producing straightforward realist scenes mood emotion aptly capturing intangible quality dramatized heavy celebrated woman window appears repeatedly oeuvre style perspective number absolutely zigrosser 120,000 sign 2015-september studying rockwell 1909 trips rembrandt downplayed financial receiving seemingly fleeting lone crop outside loneliness 180x212 inches margins wear 2016 according heard page briefly 1906 kent 1910 european masters endeavors phillips 1900s sound despite creating moment etchings image windows world weariness