Eugene Gustavovitch Berman, New York, California / France, Russian Federation/...

berman levy york gallery 1947 1949 opera landscapes refugee paris eugene baroque 1929 gustavovitch artist proofs exhibition painter born finally paintings held continued guggenheim quiet including 1920s nocturnal lithographs 1935 metropolitan work stage architectural died performances surrealist designs moved 1952 prints ballets explored placed selling contrast bought flea julian showed eerie gained sets mexico california cathedral friends widely ballet european derived imaginary movements cubism georgio figures shown exhibit berman's hundreds companies desolate exhibitions buildings 1972 family france incl leader neo-romantic peers ruins painted canvas canvases america architecture subject special drawings giovanni stayed magazine cover designing included geske pre-columbian monuments shows human dramatic inclinations memorial russian 1899 facade 1954 delirio colonne penchee artists expression amidst space achieved structures wealthy seven switzerland fled studied influence bonnard's afford quality repaired fascination toured learn developed brother leonid united joining angeles designed retired rigoletto othello experience southwest earlier rome ital church russia solitary europe guercino acceptance view fellowships seen theatre norman karen federation obeliseo askart known defied prevalent abstract futurism focused emotion chirico depicted fantasy world loneliness isolation smooth precisely order encouraged viewer contemplation professionals father stepfather willingly paid education germany revolution academie ranson neo-romanticist major focus color having success struggles past little money markets extensively especially italy states increasing country year began 1955 productions intensification theatrical surreal dream infused images accorded 1957 pursued people relation ancient introspective said files phoenix museum helen ingram-researcher janovy american painting collection sheldon sheet dated lower archives existed passing effect offer petersburg bolshevik 1920 bonnard pattern pigment hurdles surrealism married town heightened sense series international listened docent initialed center biography minds fascinated time masters distractions 1918 1922 pierre design late needed overcome romanticism 1591-1666 citizen muson traveled 1937 emotions artist's tragedy imagination return 1950s talked intense highly observant sources